The other day I was talking to our youngest grandson Ronan, 23, in a conversation about changing printing technology, which touched on cameras, and we got to a point where I realised he barely knew what I meant by 35mm slides and getting film processed; which let me to mention slide nights. He commented that they sounded a wonderful alternative to board games and cards. (He clearly had no concept of the hours we sent listening to plays and serials on the radio either, but that’s for another day.)
While writing this post, I googled around to check a couple of things and I was astonished to find this page, https://uy.ebay.com/b/Collectible-Film-Slides/262415/bn_55190306 on which you can buy job lots of slides. (why? who knows …) There are many job lots offered – and it’s worth a read, as some of them are amusing, but the most impressive one so far is “1960s + World Travel ~ Photographer Estate 960 COLLECTIBLE TRANSPARENT SLIDE LOT β¦.. (sic) US $750.00 or Best Offer”
My father, Ronan’s grandfather, was a physics whizz and was always fascinated by new technological developments, that is by pieces of equipment and machines that do specific jobs. With the outbreak of WWII in the Pacific, he enlisted in the Royal Australian Air Force, RAAF, to serve as a radio operator in Papua New Guinea, but was soon moved over to the team developing the new RADAR technology for use against the Japanese who were rapidly moving down through South East Asia towards Indonesia and ultimately Australia.
Postwar he was an early adopter of the new fangled 35mm camera with images recorded onto the Kodak colour film that when processed came back mounted in 35mm card frames – which were called slides. Of course these were small things, and required a viewer or a projector so that we could see them well. Dad bought a projector, a tripod, and slow release trigger to enable him to press the button and quickly get back into position in a group photo. His brother, Uncle John, did the same, and they joined the large number of snap happy Australians recording in Kodak colour their families, gatherings of all kinds including school sports days, conferences, travel activities and community events.
Dad’s brother, Uncle John, was an industrial chemist working for the paper and particle board manufacturing mills at Burnie on the NW coast of Tasmania. In the mid to late 50s, the company sent him on a 4 or 5 months-long tour around some of the world’s most important paper and manufactured wood producing companies in Scandinavia, north America and Japan and there may have been others. I’m sure he’d have photographed lots of fascinating industrial plant, machinery and key personnel wherever he went to include in his reports to the company.
But along the way he also had days off for sightseeing, and my first recollection of a slide night was actually a saturday afternoon, when Uncle John and his family brought some slides around to project onto a lounge room wall. I think the aunts and Gran came too. The couch and all the chairs were moved to the opposite wall. The blinds were drawn, and in the breaks for reloading the slide carousels there were cups of tea, scones and Mum’s cinnamon tea cake to enjoy. It was a fantastic afternoon. Uncle John was a good talker, and told us such interesting things about his work trip he’d so clearly enjoyed (and it was clearly a huge feather in his cap to be sent on it) Young and old, we all asked questions, so it was very educational to hear his impressions of these places which we might have already seen in books, but which he’d actually visited! He had pics of places like the Little Mermaid in Copenhagen, the Eiffel Tower in Paris, the Tower Bridge and Buckingham Palace in London, the view from the Empire State building in NY, the Brooklyn Bridge, the Grand Canyon and Disneyland and what he told us about these things enthralled us.
As in many Australian families of the day, Mum and Dad occasionally invited friends over for a slidenight to tell of their latest holidays or travels, and they went to other people’s homes – it was a fairly common thing in those days before TV arrived in Tassie in time for the Melbourne Olympic Games in 1956. I’ve only just seen it because my subscription to The Australian lapsed there for a while, but one of my fav. columnists, Bernard Salt, recently wrote on the demise of some important social rituals in Aus: “The slide night was a means to showcase not so much foreign places but to demonstrate a measure of worldliness, which was (and still is) a prized quality in an isolated colonial society. Sadly, the slide night is no more but we still need or want its purpose; today itβs fulfilled by Instagram. Insta delivers better images and has scope for quirky commentary but it canβt replicate the warmth, the humour, the familial sense of occasion that was the slide night.” Absolutely, Bernard!
Teachers found sets of slides were wonderful teaching aids, and I myself used to lug around sets related to some of the art quilt workshops I taught in the 90s and 00s. I haven’t taught in-person classes for years now, but I do speak to fibreart and art quilt groups by zoom and now show power point collections of images of my own or other artists’ work to illustrate what I’m saying.
Up until early this century, entry into the prestigious art quilt exhibitions required full and detail image slides of whatever works we were entering, so we needed several duplicates of each so they could go back and forth in the mail, and it was usual for an organising entity to keep the slides of all those accepted. What a relief it was when digital technology took over, as today we just email images; even my photographer just sends huge image tif files suitable for publication within hours of taking the pics, and no longer sends them to me on dvds. I make copies of those originals and resize down to much smaller jpgs and thumbnails for my blog.





